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Dr. Bob is Robert Hsiung, MD,
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Posted by jane d on August 7, 2002, at 10:29:06
In reply to Re: The Sun Also Rises- hemingway » trouble, posted by Ritch on August 6, 2002, at 0:53:48
Posted by Ritch on August 8, 2002, at 0:34:20
In reply to Uh Oh. Book due tomorrow. Time to start reading. (nm), posted by jane d on August 7, 2002, at 10:29:06
Me too!
I am about 75% done. I don't think I will have the time to finish up until this weekend, but that's cool. I won't read any posts until I am finished with it.
Mitch
Posted by susan C on August 8, 2002, at 10:14:46
In reply to Re: Uh Oh. Book due tomorrow. Time to start reading. » jane d, posted by Ritch on August 8, 2002, at 0:34:20
Posted by susan C on August 8, 2002, at 10:18:48
In reply to The Sun also Rises, posted by mair on July 15, 2002, at 22:16:31
I was very impatient reading The Sun Also Rises. It took a great deal of restraint to not just put it down. I kept at it, finally, I began to feel I knew who was who and not be totally lost in the dialog. Then I lost my way with the french and the 1920's cultural language. Eventually, I skipped to the end to find out what happened, and I realized not much time had elapsed. None of the characters had 'developed' as far as I could see. In addition, it hit me that they were all drunks. I know Hemmingway was an alcoholic, but that is about it. I have not studied, nor read any of his work since High School when I read the Old Man and the Sea. This observation prompted me to count the number of pages where there was at least one reference to 'go get a drink', 'drunk', 'wine', 'bar', you get the idea. I found every third page or so, on average, contained references to alcoholic consumption. The first part of the book, had multiple references on every page. Another part of this observation, is I reacted to this book in the same way I react to movies from the forties and fifties, and, perhaps the sixties (The Rat Pack) where the entire movie consists of people smoking cigarettes and drinking, clink clink. I turned it off.
I think this was a horrible story, poorly written to stand the test of time and I look forward to the next book we pick.Perhaps, now having written all this, I am predjudiced myself, prefering and identifying with novels written within the time frame I have lived.
Now, a question for you: Is it coinsidence that we read this author during the month of his birthday, the Key West contest to find the annual Hemmingway look a like and noticing TV ads for Feline Pine? This ad is set in Hemmingway's home with decendants of not Hemmingway, but 60 generations of his cats.....
a strained mouse
Posted by .tabi.T.ha. on August 8, 2002, at 15:56:18
In reply to Re: The Sun also Rises my book report, posted by susan C on August 8, 2002, at 10:18:48
Mouse, congratuations on your fortitude. I'll have to do this from memory, since I read that book in highschool or college. I also remember that everyone was constantly drinking in that book! I think it was a bad influence on me.
Also, the woman was just this surface, an object of desire and hate. It creeped me out.
I generally have trouble with classics too. I just don't have the patience to get past the language/cultural barrier.
-Tabitha
Posted by Ritch on August 11, 2002, at 13:45:31
In reply to Re: The Sun also Rises my book report, posted by susan C on August 8, 2002, at 10:18:48
> I was very impatient reading The Sun Also Rises. It took a great deal of restraint to not just put it down. I kept at it, finally, I began to feel I knew who was who and not be totally lost in the dialog. Then I lost my way with the french and the 1920's cultural language. Eventually, I skipped to the end to find out what happened, and I realized not much time had elapsed. None of the characters had 'developed' as far as I could see. In addition, it hit me that they were all drunks. I know Hemmingway was an alcoholic, but that is about it. I have not studied, nor read any of his work since High School when I read the Old Man and the Sea. This observation prompted me to count the number of pages where there was at least one reference to 'go get a drink', 'drunk', 'wine', 'bar', you get the idea. I found every third page or so, on average, contained references to alcoholic consumption. The first part of the book, had multiple references on every page. Another part of this observation, is I reacted to this book in the same way I react to movies from the forties and fifties, and, perhaps the sixties (The Rat Pack) where the entire movie consists of people smoking cigarettes and drinking, clink clink. I turned it off.
> I think this was a horrible story, poorly written to stand the test of time and I look forward to the next book we pick.
>
> Perhaps, now having written all this, I am predjudiced myself, prefering and identifying with novels written within the time frame I have lived.
>
> Now, a question for you: Is it coinsidence that we read this author during the month of his birthday, the Key West contest to find the annual Hemmingway look a like and noticing TV ads for Feline Pine? This ad is set in Hemmingway's home with decendants of not Hemmingway, but 60 generations of his cats.....
>
> a strained mouse
>Hi, Susan-
I finished it yesterday. There *is* a lot of drinking in there. But, it was like a vacation cruise. Certainly more interesting than the travel channel! He writes chronologically. He starts at the beginning and just walks you through the whole story in sequence-no flipping back and forth in time. It is very objective-the narration is descriptive, stark, plain, and simple. The mental pictures evoked by reading are very Mediterrannean-high contrast, bright stucco, breezy, dry, and hot. Very aesthetically low-tech, like a good photographer who was careful to keep the telephone poles out of a photograph. The whole story could have been done with half a book. He seemed impatient and almost decidedly simple, like he (the author)was himself impatient with setting the stage for the story in the first half of the book. What makes it good is the FORM that he conveys the story in. One thing that I noticed.. I don't think Hemingway got inside anybody's *head* with the narration, with the exception of Jake (and that was limited). He just *showed* you what they *did*, he doesn't make you privy to much of their thoughts, only what they SAY. When he does get into Jake's head (Jake's thoughts), it *is* fairly interesting:
.."Perhaps as you went along you did learn something. I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what it was all about."
.."Enjoying living was learning to get your money's worth and knowing when you had it."
"It's like a wonderful nightmare." (the fiesta-*life*?)
And then finally what Brett says towards the end:
"You know it makes one feel rather good deciding not to be a bitch. It is sort of what we have instead of God."Wow, a little stark, but interesting, nevertheless.
Mitch
Posted by Dinah on August 16, 2002, at 5:24:05
In reply to Re: The Sun also Rises my book report » susan C, posted by Ritch on August 11, 2002, at 13:45:31
Only three posts? I feel like I should go out and read the book now. :D
Surely there was some controversy somewhere in the book that you can hotly debate until I manage to at least skim through it?
Posted by susan C on August 16, 2002, at 11:20:00
In reply to Re: Come on guys!, posted by Dinah on August 16, 2002, at 5:24:05
Posted by Ritch on August 16, 2002, at 21:22:43
In reply to Re: Come on guys!, posted by Dinah on August 16, 2002, at 5:24:05
> Only three posts? I feel like I should go out and read the book now. :D
>
> Surely there was some controversy somewhere in the book that you can hotly debate until I manage to at least skim through it?
Dinah,It really is a very short novel. I didn't get it read quickly because I was busy with other things. I think a person with an average reading speed could start it in the morning and have it finished well before bedtime in one day. I don't think there is anything really controversial in the book. About the first 2/3 of the book is setting up what he really gets into, and that might wear on some. Then there is about 80 pages of near poetry and then it's all over and wraps it up nicely. His matter-of-fact journalistic style might bug people. I can handle dialogue as long as it doesn't go on too long (except in this case). He writes in places with 2-3 pages of nothing but dialogue. He really SHOWS you things and YOUR mind makes the conclusions, he doesn't try to convince you of the validity of what is in Jake's head, you just observe the BEHAVIOR of a group of people in a specific set of cirumstances.
Mitch
Posted by Dinah on August 16, 2002, at 22:00:47
In reply to Re: Come on guys! » Dinah, posted by Ritch on August 16, 2002, at 21:22:43
Hmmm. Maybe that's where I got the impression from whatever I read of Hemingway in high school that he was just too clever. It was probably the lack of depth or character development or something?
I'm going to go to the library tomorrow to borrow the book and read it (because darn it, I am NOT going to buy Hemingway). Perhaps it will jog my memory as to why I formed that opinion.
It's a fine line here isn't it. If we pick too long a book, we reduce the number of people who will read it. If we pick too short a book, we limit the probable discussion time. What do you think would be the best way to maximize involvement?
The discussion thread just looked so sad and lonely....
Posted by .tabitha. on August 17, 2002, at 0:09:10
In reply to Re: Come on guys! » Ritch, posted by Dinah on August 16, 2002, at 22:00:47
If you read it I'll read it. But I'm not posting my real book report til you promise you're finished too!
Posted by Dinah on August 17, 2002, at 7:02:02
In reply to Re: I'll make a deal with you Dinah..., posted by .tabitha. on August 17, 2002, at 0:09:10
Posted by Ritch on August 17, 2002, at 10:24:18
In reply to Re: Come on guys! » Ritch, posted by Dinah on August 16, 2002, at 22:00:47
> Hmmm. Maybe that's where I got the impression from whatever I read of Hemingway in high school that he was just too clever. It was probably the lack of depth or character development or something?
>
> I'm going to go to the library tomorrow to borrow the book and read it (because darn it, I am NOT going to buy Hemingway). Perhaps it will jog my memory as to why I formed that opinion.
>
> It's a fine line here isn't it. If we pick too long a book, we reduce the number of people who will read it. If we pick too short a book, we limit the probable discussion time. What do you think would be the best way to maximize involvement?
>
> The discussion thread just looked so sad and lonely....
My book was borrowed from the library as well. I am more of a music freak than a book freak. Perhaps what bugs a lot of people about Hemingway is his *lack* of idealism-or his *idealism* is far removed from most other people's conception of how the world should be. There is a fatalistic attitude in his stuff that kind of says: "Here's the world-it can be quite cruel, and if you want to feel alive you are going to have to make things happen for yourself, sorry". I saw a humorous tee-shirt once that said: "Exercise, eat right, die anyway." Perhaps his own philosophy contributed to his depressions.Mitch
Posted by .tabitha. on August 17, 2002, at 15:30:39
In reply to Re: Deal (cyberhandshake) (nm) » .tabitha., posted by Dinah on August 17, 2002, at 7:02:02
I accidentally started reading Farewell to Arms first, it was deadly dull. Sun Also Rises was a great relief in comparison. Itching to post report now.
Better get reading, girl. (uh oh, is this considered "pressuring others"?) ;)
Posted by Dinah on August 17, 2002, at 17:05:56
In reply to Re: Ha! Finished book! » Dinah, posted by .tabitha. on August 17, 2002, at 15:30:39
I haven't finished the book yet by a long shot, but I remember why I thought Hemingway was way too clever.
He does sketches of characters and seems to think that the sketches are the characters. A few breezy lines and he's summed up just about everyone.
I don't know if I'm explaining it at all well, but it's what really irritates me about Hemingway. I can be amused at his stories, and he is an excellent raconteur, but he leaves me feeling....
Oh I don't know. Maybe if I finish the story it will come to me.
Posted by .tabitha. on August 17, 2002, at 20:30:49
In reply to Re: I remember now..., posted by Dinah on August 17, 2002, at 17:05:56
I think the thing missing is he never ever gets inside anyone's head. My favorite part of books is being able to get inside the characters' heads, so he's not an author I particularly enjoy. To me he's more of a slick stylist. That kind of writing always strikes me as adolescent.
Posted by Dinah on August 17, 2002, at 21:01:09
In reply to Re: I remember now... » Dinah, posted by .tabitha. on August 17, 2002, at 20:30:49
That's exactly what I was trying to say.
(I was also wondering if his lovers were left as unfulfilled as his readers. But I guess that is rude speculation.)
Posted by .tabitha. on August 17, 2002, at 22:19:32
In reply to Re: Exactly! » .tabitha., posted by Dinah on August 17, 2002, at 21:01:09
Well, the main character in Sun is impotent after all
Posted by Dinah on August 18, 2002, at 4:17:00
In reply to Re: I remember now..., posted by Dinah on August 17, 2002, at 17:05:56
On second thought, perhaps it wasn't rude speculation as much as it was an explanation of the feeling which I couldn't identify in my above post.
> I don't know if I'm explaining it at all well, but it's what really irritates me about Hemingway. I can be amused at his stories, and he is an excellent raconteur, but he leaves me feeling....
>
> Oh I don't know. Maybe if I finish the story it will come to me.It did come to me, in that persistent question about Hemingway's other skills. I felt led on during the whole book. Lots of warm-up, but no follow-through. His character sketches showed enough insight that I kept hoping for more, but was constantly disappointed. No doubt how not only Brett and Jake, but every darn character in the story felt. And it's true that Jake was impotent.
So I would almost believe that Hemingway was an absolutely wonderful writer to be able to cause me to feel the same frustration and disappointment that all his characters felt. Except that my recollection of my prior experience with Hemingway left the same feeling. That he promised more than he delivered, and ended up merely being clever, and as you said, a slick stylist. So unless all his books have the same theme, I don't think it likely that he intentionally caused me to feel that way.
Oddly enough, the only place in the book I didn't feel that way was in the part about the aging bullfighter who came out of retirement. While reading that part, I felt something for that fighter. And the description of the bullfighters' styles also had all the passion that the rest of the book lacked.
Posted by Ritch on August 18, 2002, at 10:16:10
In reply to Re: Exactly - Tabitha, posted by Dinah on August 18, 2002, at 4:17:00
> On second thought, perhaps it wasn't rude speculation as much as it was an explanation of the feeling which I couldn't identify in my above post.
>
> > I don't know if I'm explaining it at all well, but it's what really irritates me about Hemingway. I can be amused at his stories, and he is an excellent raconteur, but he leaves me feeling....
> >
> > Oh I don't know. Maybe if I finish the story it will come to me.
>
> It did come to me, in that persistent question about Hemingway's other skills. I felt led on during the whole book. Lots of warm-up, but no follow-through. His character sketches showed enough insight that I kept hoping for more, but was constantly disappointed. No doubt how not only Brett and Jake, but every darn character in the story felt. And it's true that Jake was impotent.
>
> So I would almost believe that Hemingway was an absolutely wonderful writer to be able to cause me to feel the same frustration and disappointment that all his characters felt. Except that my recollection of my prior experience with Hemingway left the same feeling. That he promised more than he delivered, and ended up merely being clever, and as you said, a slick stylist. So unless all his books have the same theme, I don't think it likely that he intentionally caused me to feel that way.
>
> Oddly enough, the only place in the book I didn't feel that way was in the part about the aging bullfighter who came out of retirement. While reading that part, I felt something for that fighter. And the description of the bullfighters' styles also had all the passion that the rest of the book lacked.
>Dinah and Tabitha,
Yes, the contrast between Jake's impotence and the bullfighters, and Brett's unfulfilled love for Jake is the hingepin of the book. Brett never loved any of the other men that she had, only Jake. Interesting that you mention the old bullfighter. The author portrays the "promotional" side of the bullfighting and the "traditional" side of it (wow, those two words have the same number of letters). The older the bullfighters get the more they are "used" and "promoted"---hmm. sounds like the work force--working in general as one gets older.. Great, now I am starting to see some patterns and the book is back at the library!
Mitch
Posted by OddipusRex on August 18, 2002, at 14:46:04
In reply to Re: Come on guys! » Dinah, posted by Ritch on August 17, 2002, at 10:24:18
That's exactly what bothered me about it-the lack of idealism. But after I read that comment something clicked and I went back and looked at it again. Nobody believed in much of anything-it was post WWI and most of them were veterans. Even Brett was a former nurse and had lost her first true love in the war.. It seemed like to me the lot of them were suffering from PTSD. At the bullfight Nick mentions having spent six months with the lights on at night because things seem different in the dark. The fireworks at the bullfight were compared to combat explosions. Was the bullfighting some way to recapture the intensity of combat or relive it or just a way of replacing the numbness with some kind of emotion? There was also the religous aspect. H says "San ferme was also a religous festival" and Nick goes to mass several times. He tells Brett that he is technically a Catholic. The idea of bloody sacrifice of the bull sort of reflects the bloody sacrifice at mass.What is this aficion this passion that he finds attractive? They all seem detached and adrift. In some ways it reminds me of the disillusionment and drifting and loss of common values after Vietnam.
It's a really uncomfortable book to read.
And what happens with Nick and Brett at the end? Nick seems to have been disillusioned with her also?>
>
> My book was borrowed from the library as well. I am more of a music freak than a book freak. Perhaps what bugs a lot of people about Hemingway is his *lack* of idealism-or his *idealism* is far removed from most other people's conception of how the world should be. There is a fatalistic attitude in his stuff that kind of says: "Here's the world-it can be quite cruel, and if you want to feel alive you are going to have to make things happen for yourself, sorry". I saw a humorous tee-shirt once that said: "Exercise, eat right, die anyway." Perhaps his own philosophy contributed to his depressions.
>
> Mitch
>
Posted by .tabitha. on August 18, 2002, at 16:35:16
In reply to Re: Come on guys!, posted by OddipusRex on August 18, 2002, at 14:46:04
Interesting that you thought Brett really loved Jake. I got the impression she was kidding herself about her great love for him, and only actually wanted him because he was unavailable. I suspected he didn't love her either. When Jake said "isn't it pretty to think so" at the end he was acknowledging that their great love was just a mutual delusion.
Posted by .tabitha. on August 18, 2002, at 17:10:56
In reply to Re: Exactly - Tabitha, posted by Dinah on August 18, 2002, at 4:17:00
OK, now my new revised book report. When I first read it (probably high school age) I think I wasn't even adult enough to pick up on the impotency angle, or that their drinking was such an act of despair. I thought they were cool.
I didn't dislike it as much as I expected this time. I'm not sure I'd really call it sexist. The woman was not the only one portrayed a little hatefully. There really weren't any sympathetic characters. Even the young bullfighter, who might have been the hero, was shown to be narrow-minded and possessive toward Brett. Perhaps the old innkeeper was the moral center, but he wasn't really a character.
At the end I thought Jake was sort of wallowing in his victimhood, how he'd been used and hurt by women/Brett, though with his own full participation.
Anyway, I think I've had too much therapy to appreciate great literature. All I could see was jeez, these folks are serious alcoholics and totally unable to handle their feelings. Everybody drank a lot every day, and when something upsetting happened, they drank an extra lot. It was actually used as a form of communication. Brett started drinking more when she met Jake at first, illustrating her strong feelings for him. At the end Jake got super-drunk, and Brett asked him not too (really saying please don't be hurt by my affair with Pedro).
All their feelings were obvious yet not spoken of at all. It was considered a great breach of social etiquette to actually demonstrate one's feelings. For instance, the whole setup was just not workable. Here these folks were socializing together, and supposed to act like all the complicated feelings between Robert and Brett, and Brett and Jake, and Michael and Robert, did not exist. With too much alcohol, all the nasty undercurrents came out, which was considered "behaving badly". What an impossible code of behavior. The only way to adhere is if you were lucky enough to be a stoic drunk instead of a sloppy or angry one.
All I could think is yuck, how dysfunctional. How can I stick with characters thru a whole book who don't seem to grow one bit. Bleak is the word.
----------------
Random thoughts:Somewhere I think Jake was talking about friendships with women, and said that there was no basis for a friendship unless the man was in love with the woman. What a cynical view, than a man can have no appreciation for a woman unless it's sexual. I'll just hope that's not true, even though my personal experience supports that view.
The book was great for triggering alcoholic cravings. All those sensual descriptions of drinking every couple of pages.
The social setup reminded me of closed social groups, where eventually practically everyone has slept with everyone else, and you're all still stuck together at every social function. Yuck.
Posted by Dinah on August 18, 2002, at 18:39:56
In reply to Re: Come on guys! » OddipusRex, posted by .tabitha. on August 18, 2002, at 16:35:16
I have to agree with your assessment about the genuineness of the "love" between Jake and Brett. But I do think he was attracted to her based on her sexuality. (There are two possibilities there, and I haven't decided whether I lean towards one over the other.) And I think he genuinely admired her based perhaps on what he saw of her during the war? But by the last line of the book, it was clear that he realized that wasn't enough.
> Interesting that you thought Brett really loved Jake. I got the impression she was kidding herself about her great love for him, and only actually wanted him because he was unavailable. I suspected he didn't love her either. When Jake said "isn't it pretty to think so" at the end he was acknowledging that their great love was just a mutual delusion.
Posted by Dinah on August 18, 2002, at 18:46:38
In reply to Re: congrats for finishing book » Dinah, posted by .tabitha. on August 18, 2002, at 17:10:56
I agree with a lot of what you say.
The drinking part didn't really affect me as much as it did some of the rest of you. It just reminded me of my father's family.
But about friendship between men and women. I've had a lot of friends who were men, and actually in a lot of ways find it easier to relate to men. And a lot of my husband's friends are women. And there is rarely any sexual attraction involved at all. So my experience would be that genuine friendship between men and women isn't that unusual. (Of course, none of the men I've been friends with were anything at all like Jake or his friends. They remind me of some of my father's friends, who I could barely stand to be around and wouldn't have as friends for anything.)
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